This is the last in the series and I’m sad to see it end. I thoroughly enjoyed this dual time-line narrative that takes us back to the sixteenth century, and Mira, a female artist trying to find her place in the world. On the trail of this artist is Zari, an art historian who is confounded at every turn by other less well-informed (and male) historians of the establishment. Dottie Butterfield-Swinton was a partucularly cringe-making character!
Both women are looking to make their mark, and both have long journeys to find their niche. For Zari it is a fight to prove that Mira’s paintings were not painted by a better known male artist. For Mira there is a more life-threatening adventure as one of her old enemies seeks to wreak revenge. The plot of both time-lines keeps the reader turning the pages anxious to find out what will happen next. We find out in this story that Mira is pregnant, but having lost one adopted child, she is understandably protective when the new baby comes, and the fact she must protect this vulnerable child adds to her difficulties. I enjoyed the different characters – the kind and practical Nekane, and the manipulative Amadina who was intent on destroying the lives of Mira and her husband Arnaud.
The settings in this book are beautifully drawn, the convents, the rich merchants’ houses, and the landscape around Bayonne. I also enjoyed reading about Zari’s journey to Basque country, and her encounter with her distant relatives in her search for her own identity.
There is much more in these books than a brief review will allow. If you haven’t read the others, do start from the beginning. All three are excellent reads and I highly recommend all three for art and history lovers and anyone who wants a well-written, thoughtfully crafted book.