Categories
Blog Reviews

Two books with #WW2 connections

Of Darkness and Light is an engaging mystery of art and artists set in WW2 Norway. Heidi Eljarbo has certainly given herself a challenge – to write two historical periods in one novel which flow seamlessly from one to another, but the narrative works well and the two timelines inform each other beautifully. We begin the story in WW2 Norway where Soli works in an art shop. We see the shock of the invasion of Norway by the German army and what that means for Soli’s close family and friends.

As the book progresses, the art shop where Soli works is frequented by Nazi collectors of fine art, although the owner does his best to hide the most precious works from these men. When a murder happens right outside the shop, Soli finds herself irresistibly drawn into the mystery of who killed her colleague and why, and the puzzle deepens when Soli discovers that the victim, who she thought she knew well, is also known by another name.

At the same time a painting is missing from auction and Soli must uncover what has happened to it before the Nazis do. I can’t reveal too much of the plot without revealing all the twists and turns, but suffice it to say, Soli and her Art Club are drawn into the Resistance in their bid to save the art world’s cultural heritage from being stolen by the Nazis. Soli is an engaging protagonist, with the skill to tell a real painting from a fake, and the author makes the most of Soli’s ‘eye’ in giving us detailed descriptions of people and places. The reveal of what is inside the walnut and gilded frame is a highlight for me in descriptive writing.

As well as finely drawn detail within WW2 Norway, We are taken back to 17th Century Valetta, Malta, to the studio of Michelangelo known as Caravaggio, and his model Fabiola, again all described in sumptuous detail. If you love the art world and a good mystery, you will really enjoy this well-written book which has plenty of excitement and intrigue to keep you turning the pages.

Find out more about Heidi and her other books.

Endless Skies by Jane Cable is a contemporary romantic novel that harks back to memories of WW2. Archaeologist Rachel Ward’s relationships with men have always been a disaster.  Short-lived, and lacking in commitment. This novel begins to unlock why by gradually letting us into her past. Brought up by her grandmother, Rachel has a natural empathy with Esther, an elderly woman in a care home near where she is working. I really enjoyed the character of Esther, and thought she was drawn well without too much sentimentality.

The men in Rachel’s life are the dreadful, manipulative Ben, one of her students, and Jonathan, who is a property developer. An affair with Ben was always going to be a bad idea, but it also causes Rachel to look back at why she always makes such bad choices. Jonathan asks Rachel to do some work surveying what used to be a local airbase. This links up to Esther’s story, but I won’t give too much away.

One of the delights of the book is the atmospheric setting of the flat Lincolnshire countryside, and the deserted airfield which contributes to the idea that the ghosts of the past still have a bearing on what happens in the present. A thoroughly enjoyable read with multiple interesting strands.

Read more from Jane about the book.

Categories
Blog Cabinet of Curiosities

Cabinet of Curio-stories – stunning secret behind a Tudor painting

 

Imagine that you are an art dealer in Swinging Sixties London – 1962 to be precise. You manage to buy a bargain — an atmospheric early oil painting of the Tower of Babel, and intrigued, you decide to look on the back to see if you can find out more about this unsigned painting. A signature would add value to an already saleable thing.

Copperplate_Map,_Museum_of_London_2
Nimrod supervising the Construction of the  Tower of Babel by Martin Van Valckenborgh 1559

So, you turn it over and are surprised to see it isn’t painted on a wooden panel as you had expected. Instead, it’s painted on an old copper plate, of the sort used by engravers. You rub at it with the cuff of your floral shirt, hoping to see a name. But a thumb over the surface reveals that the plate has already been used to print something else, and there does seem to be something very fine incised into it. So, curious, you get out your magnifying glass and peering through it, carefully clean the surface grime away with some methylated spirits.

The scene that appears seems to be a birds-eye view of people and houses. But there is writing too – all in reverse of course. Excited, you rush through to the bathroom and hold it up to a mirror. It reads ‘Fynnesburie Field’, and you see more detail, and what appear to be windmills. Finsbury Field – that’s right here in London! Closer scrutiny reveals men in Tudor costume practising archery, and women laying out their washing to dry. This could be an original Tudor plate, you realise. But what to do with it? You daren’t destroy the painting of the Tower of Babel, but this copper printing plate seems to be even earlier, and it would be a shame to keep it hidden from view.

Copperplate_Map,_Museum_of_London_1
The copper plate engraved by Frans Franken

In a ferment of excitement you hot-foot it to the London Museum to see if they can find out more.

And that is how we come to have the extraordinary  “Copperplate” map of London. No copies of the printed map itself are known to have survived; but between 1962 and 1997 two more of the original plates were identified, both used as grounds for other paintings. It is lucky they were recycled in this way, or they could have been lost forever.  The three plates cover the greater part of the built-up heart of Tudor London. The map can be precisely dated to between 1553 and 1559 because Coldharbour House was given to the Earl of Shrewsbury in 1553,  and he re-named it Shrewsbury Place. St Paul’s Cathedral is shown with its spire which was burnt down in a fire in 1561. Also, nothing is shown of The Royal Exchange, which opened in 1571.

So here is the section showing Moorfields, and you can see the wonderful detail included by the Dutch artist who engraved it. I wonder if the person who commissioned it managed to find his way around London?

Copperplate_map_Moorfields

For more about the map, and to enlarge it, go here.