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We’ll Meet Again by Hilary Green

 

There have been a slew of new releases set during WWII to coincide with the various anniversaries and landmark moments in our 20th century history, and its easy to miss some of the novels released a while ago that are still well worth reading.  I came across Hilary through the Historical Writers Association, checked out her website, and was tempted by We’ll Meet Again, a drama and romance.

The novel has an engaging protagonist – Frankie, a young woman of Italian descent, who, desperate to escape the dead end job prospects in Liverpool, finds herself being trained as a morse code operator and eventually a spy. This is a novel that builds in excitement to a nail-biting climax in Nazi-occupied Italy. What makes the novel a delight is the beautifully drawn friendships and allegiances that we share with Frankie during her training and beyond, for example the snob whose brittle exterior masks a deep insecurity, the stoic friend who risks her life to help the Resistance in France. There is also a believable and tender romance.

This was easy entertainment and ideal reading during my cosy nights before the fire over the Christmas break. I thoroughly enjoyed it, and I will be buying more of Hilary Green’s books in the future.

More about women’s roles in WWII communications Heroes, Heroines and History Blog

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The 70th Anniversary of the Film Brief Encounter

 

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70th Anniversary of Brief Encounter

This year marks 70 years since Brief Encounter was made in 1945. It was one of my mother’s favourite films, a real weepie, and one which seemed to touch the heart of a nation. Just why, is explored in this lovely documentary on Radio 4 which I listened to earlier in the week.

BriefEncounter

One of the reasons I am celebrating the anniversary of the release of the film is because I have published a book which features the filming of Brief Encounter in 1945.  The site of the wartime filming on Carnforth station is close to my home, and the Heritage Centre there has a wealth of information about the film and its stars. At the moment to celebrate the anniversary, the Heritage Centre has been featuring a free season of David Lean’s films. Lean’s many credits include quintessentially classic cinema experiences  – from Dr Zhivago to The Bridge over the River Kwai, from A Passage to India to Hobson’s Choice. And of course Brief Encounter.

Brief Encounter

From Filmsite

Brief Encounter (1946) is director David Lean’s brilliantly-crafted, classic British masterpiece. It is one of the greatest romantic tearjerkers/weepers of all time, with a very downbeat ending. Lean’s film is a simple but realistically-honest, unsentimental, self-told social melodrama of the quiet desperation involved in an illicit, extra-marital love affair between two married, middle-class individuals over seven weekly meetings, mostly against the backdrop of a railway station. The romantic couple includes a wife/mother (stage actress Celia Johnson) looking for escape from her humdrum life and sterile marriage, and a dashing doctor (Trevor Howard in his third film). (Characteristics of film noir also abound within the film – unglamorous locations, rain-slicked streets, dimly-lit interiors and dark train passageways in a tale of doomed, unfulfilled and frustrated love.) 

The Guardian says attempts to parody Brief Encounter have failed:

Brief Encounter has survived such threats, because it is so well made, because Laura’s voiceover narration is truly anguished and dreamy, because the music suckers all of us, and because Celia Johnson and Trevor Howard are perfect.

The Radio 4 feature says that the timing of it, when so many men were returning from war, made the last few lines, ‘Thank you for coming back to me,’ particularly poignant. Do take a listen to the programme, it’s only half an hour but very informative if you love the film.

In my novel Past Encounters, written under the pseudonym of Davina Blake, I explore and echo the same themes as in the film. In my book, my female character, Rhoda, has her own interior monologues. Peter, her fiance, is told with more distance as he fights for his survival in a German POW camp. Both endure emotional and physical hardships during their separation during the long years of WWII. Like the film I was looking for a certain restraint in the writing.

You can catch Brief Encounter at special screenings during this, its 70th year, and even go to a tea dance after seeing the film at various venues throughout the country.

And if you are interested in my novel, here it is. Past Encounters is the winner of a BRAG medallion for excellence in independent fiction.

PAST-ENCOUNTERS BRAG MEDALLION

About ‘Past Encounters’

From the moment Rhoda Middleton opens one of her husband’s letters and finds it is from another woman, she is convinced he is having an affair. But when Rhoda tracks her down, she discovers the mysterious woman is not his lover after all, but the wife of his best friend, Archie Foster. There is only one problem – Rhoda has never even heard of Archie Foster.

Devastated by this betrayal of trust, Rhoda tries to find out how and why her husband, Peter, has kept this friendship hidden for so long. Her search leads her back to 1945, but as she gradually uncovers Peter’s wartime secrets she must wrestle with painful memories of her own. For if they are ever to understand each other, Rhoda too must escape the ghosts of the past.

Taking us on a journey from the atmospheric filming of Brief Encounter, to the extraordinary Great March of prisoners of war through snow-bound Germany, this is a novel of friendship, hope, and how in the end, it is the small things that enable love to survive.

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Past Encounters by Davina Blake

PastEncounters_Ebook

If you were born in the 1950’s as I was, you will no doubt remember wartime stories passed down to you from your parents.

My parents were not old enough to fight in the second world war, but their stories of gas masks and rationing, dried egg sandwiches, and night-time forays into the Andersen shelter at the bottom of the garden, stuck with me. In particular, one story fascinated me – the one about a neighbour of theirs who was taken prisoner early in the war and spent five years in a forced labour camp for the Germans. He struggled to get over his experience more than those who had actually been fighting, and I always wondered why.

Years later, I moved to a small town ; Carnforth in Lancashire. The town itself used to have a big ironworks, long since gone, but now its one claim to fame is that it was once the scene for the famous film ‘Brief Encounter’ starring Celia Johnson and Trevor Howard.  When I went to look around the Station Heritage Centre and found out more about the filming, I discovered the film was made in the last months of WWII. So now I had two ingredients – the story of a prisoner of war, and the story of the making of ‘Brief Encounter.’

Research led me to discover that  in February 1945,  when David Lean was filming ‘Brief Encounter’, on the very same day  we were sending bombs to decimate the beautiful cultural city of Dresden. What if these two events could be brought together? So, I had the third ingredient and an idea was born, the story of a wartime couple torn apart by war. But not just that – ten years later they are married, but neither has any idea what really went on for the other during their separation, or what it will mean for their future relationship. Wartime stories by necessity deal with larger themes of love and death, and people under extraordinary pressure. Rhoda and Peter have always hidden their pasts from each other, partly from self-preservation, and partly to shield the other from the truth. When Rhoda finds a letter from another woman, and the facts begin to surface, will Rhoda and Peter survive knowing the other’s darkest secret?

I was very attracted by the visual style of the film, ‘Brief Encounter’, its light and shadow, the way it made locations significant and tell their own story, so I have tried to keep that in my descriptions. The theme of the film is that hard choices have to be made about loyalty if a relationship is to survive, and I wanted my book to reflect this.

Whilst writing Past Encounters I interviewed people who remembered wartime Carnforth, and drank more tea and ate more biscuits than is probably good for me, whilst scribbling frantically in my notebook. I was also incredibly grateful for on-line sources such as ‘The People’s War’. Memoirs of prisoners of war and soldiers who endured the Great March of Prisoners of War through frozen Germany, also helped give a backbone to the book.

One of my aims is to show just how amazing ordinary people can be, if you scratch beneath the surface. By the end of the book Rhoda and Peter have found and lost loves, fought for survival, endured tragedy, and discovered the hidden depths that make a bond between two people true and lasting.

Amazon UK

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